Zuhra Aselderova biography

Search love the theater, how I love it! One of the most popular and popular actresses of the State Kumyk Musical and Drama Theater named after A. Salavatov Zura Aselderov has been on the theater stage for more than 20 years. The talented and eternally young actress, whose stage images have beauty and grace that fascinates the audience, spoke about her profession, the creative successes of the theater and the experience gained on stage.

I’m from a creative family - I grew up behind the scenes of the theater. My dad, People's Artist of the Republic of Dagestan Aselder Khaybullaevich Aselderov, was a leading actor of the State Kumyk Musical and Drama Theater named after A. last year he was gone, and I really lack him. I largely repeated his creative fate. We had a lot in common with him, as it is now customary to say, at the genetic level.

We did not even consider another profession with our parents. Yes, their opinion was always important for me, and when I myself could choose, I firmly decided to connect my life with the stage. Setting up for 8 hours in the office or standing behind the store sheet is not my story ... I deeply respect any work, but I can’t even imagine myself outside the scene, on the other side of the scenes!

Time flew by unnoticed. I am not only a dramatic actress, but also a vocalist, and is involved in all musical performances that form the basis of the repertoire of our troupe. The Kumyk musical and drama theater has a long tradition. For several decades, we have been opening every season with the performance “Aiham” or “Molla Nasruddin”, but there were years when the theater opened the season and premiere productions.

The modern Kumyk theater, preserving and increasing the good old traditions, is updated and changing its repertoire policy, accelerates the rhythm of work. This season we have many children's premiere performances: “Mowgli”, “Leah”, “Baba Yaga against”, “Kulbay”, “White lamb”, “Red hat”, “Golden chicken” - we will play old children's productions. In addition, we have created vocal and choreographic groups.

There were no before. We presented the experimental performance “Games on the roof of the old mill”, where I have the main role of Aigul. The philosophical production of Beimurza Mantayev is dedicated to ancient and already disappearing adams - there is an opportunity to show good possession of the native language.

To enter the image, you have to change the role, appearance, behavior on the stage. Today, it is difficult for us, it is difficult to recreate what has already gone into the distant past, despite the fact that these are our roots, that our ancestors lived according to such traditions and customs. Of the new products in our repertoire-musical and ethnic compositions, the play “Work, Brother” dedicated to the memory of the Hero of Russia Magomed Nurbagandov.

All these productions greatly distinguish this theater season from the previous ones. How justified is this? We always look forward to new performances of our colleagues in order to learn something new from them, to improve their qualifications. The theater is a living organism, it must change, and always for the better. Some “experiments” are unacceptable and depreciate theatrical art.

I can’t accept mockery of the classic and over the viewer, which are allowed to be metropolitan directors in recent years. Our team was preparing for a long time for this date: they showed excerpts from his plays and a large concert program, a musical and poetic composition on his poems. The artists of our theater are preparing for the production of a new version of his play "Aiham".

If they give me the role of the heroine of the classic work, I plunge in the creation of my image, I try to analyze the artistic process from reading, rehearsals to the premiere and all further performances. Work on the language of the play is very important - it should be as close as possible to the original and at the same time understanding the viewer. Of course, every actor in the course of working on classic works is sorting out in the memory of everyone who has already played this role - from his scene veterans to world -class actors.

Pride is overwhelming me when they trust to create their own, original image of the heroine of the famous play. My role is a naive girl, an unrequited girl in love, a reliable girlfriend, and now I’m playing good mothers, noble sisters ... The role of all my life is a sweet Snow Maiden, has been laughing for 20 years now. But I am convinced that the artist must try himself in different images.

I get a colossal charge from the scene and spectators, and if it is a kind and warm message, I just hover over the stage. I work without feeling fatigue, I improvise, I feel a creative rise, catharsis, the process of releasing emotions, resolving internal conflicts and moral elevation that occurs during self -expression. And then it seems that you can play two performances in a row!

I don't want to leave the stage! For example, in the play of Hamid Rustamov “If the Heart Want”, I really love my role in him, I am inspired from the very first minutes and fascinates. And the viewer feels it. The hall is different. Going onto the stage, you never know what to expect from the public and how the viewer will perceive the performance.For me, the hall is heavy when only young people and adolescents gather for viewing.

They do not quite understand what is happening. They still have no culture and habit of visiting the theater as a temple of art. Many young people do not know the language, and where the heroes need to empathize, they begin to flaunt each other, shout offensive words, mock, unnaturally, hysterically laugh. But children, younger and secondary schoolchildren, they have a completely different attitude.

They are very sincere, know how to worry about the heroes of the play, know how to behave correctly. Children are already brought up differently and in the future will become our ideal spectators. We have been waiting for this since the time of the time, sorry for the tautology. Starting from the years, thanks to the cultural actions of the “Night of the Arts”, the Dagestan audience has changed a lot.

Many follow the announcements in social networks, during the period of restrictive measures we watched our performances online. The recent premiere of the play “The Wolf” of Sokolovsky in the production of Scandarbek Tulparov, the hall accepted with a bang! With a complete full house! Fans of theatrical art, and there are many times more, know all the actors and who plays in what kind of production.

It pleases. And yet - the audience began to come to the theater with flowers! But earlier, fans, relatives, friends gave flowers. Now the performers of the main roles receive flowers from completely strangers in the hall. The screen does not separate us from the viewer. In each performance, the actor works differently. Spectators compare the heroes with them, analyze their actions and life situations that have not previously thought about.

Many things are recognized through complex messages from the stage. The more harmony in the family, the more time and effort the actor can give the stage. But happiness should be quiet and not even among famous actors. To himself-with honor to serve in my native Kumyk musical and drama theater. Salavatova, the theater created by the bariisan of Muradov, Hamid Rustamov and many other outstanding actors and directors - the luminaries of the stage.

All lovers of a competent native language and the right, pure native speech I want to wish: go to the theater and love the theater as I love it! Violetta Ratenkova.