Marussia biography

Disconnect on the page of Marusi Klimova to disable on all pages of the authors to preserve the biography - Marusya Klimova Kondratovich Tatyana Nikolaevna Literary pseudonym - Marusya Klimova - writer, translator, film critic, journalist. She was born in Leningrad in the family of the captain of the long -range voyage later, later the vice -rector of the Admiral Makarov Maritime Academy and the representative of Morflot in Nicaragua.

Graduated from the Faculty of Faculty of Leningrad State University. After graduating from the university, she worked as a translator in the register of the USSR, but then, under the influence of the ideas of aesthetic non -conformism, she destroyed her university diploma and for several years interrupted by random earnings, earned as a cleaner and a nurse. After the restoration of the diploma, she worked for some time as a researcher at the Isaacievsky Cathedral Museum.

In the years, it was ...

connected with the culture of the Leningrad underground, at the beginning of the X lived in Paris. In the year, the Russian Society of Friends Louis Selina and the publishing house of the same name founded the Russian Society of Friends. In M and M years, together with Timur Novikov, he holds the festivals of the St. Petersburg decadence "Dark Nights". In June, on the eve of the two -hundredth anniversary of A.

Pushkin, together with Dmitry Volchek, Yaroslav Mogatin and Vyacheslav Kondratovich published the Gantes magazine that had been a fame, which had been a fame. In the year, he shoots the film “The Murder of Joashen or the fact that Fassborder did not shoot” based on the scene from the novel by Jean's wife “Carel”. Organized and conducted several international colloquions dedicated to the work of Louis-Ferdinand Selin and Jean to Zhenya.

The permanent author of the Mitin magazine collaborates with Radio Liberty. In the autobiographical trilogy "Blue Blood", "House in Bois Kolomb", "Blond Bizonia" a wide panorama of turning point for Russia is given. The novels of Marusi Klimova are characterized by the ultimate detachment of the author’s gaze, the indifference to good and evil, attention to the absurd and comic details, the blurry of the boundaries between common sense and madness.

The images of newly -minted Russian dandies and transvestites created by the writer, easily changing their masks and outfits, are the best in accordance with the atmosphere of the Ecumenical Carnival of those years that have been marked by the rapid change in social identifications. The collection "Sea Stories" is a collection of tragicomic stories from the life of long -lasting sailors, set out from the male face in a deliberately rude and cynical manner.

The fate and works of Russian writers are presented as facts of the author’s personal biography. The book is replete with paradoxical and exaggerated subjective judgments and assessments. In his books and interviews, Marusya Klimova usually positions himself as a decadent, marginalist and Nietzschek. According to the New World magazine, “Misanthropy, marginality, sexual perversions, contempt for normal, to“ bourgeois ”morality that are always touching as a philistine one, unite for Marusi Klimova writers.

The direction of the political spectrum does not matter much - if only it was its very edge. ” Transferred from the French work L. Member of the Union of Writers, the Union of Journalists, the International Federation of Journalists, as well as the Union of Cinematographers. The works are published in French, German, Estonian, Serbian and Italian. Detailed biography.