Shibaev writer biography
Disconnect on the page of Alexander Aleksandrovich Shibaev to disconnect on all pages of the authors to preserve the biography - Alexander Shibaev Alexander Aleksandrovich Shibaev did not enter, as recently, “in the clip”, in the first row of post -war children's poetry. The Leningraders, and not the Muscovite, is modest, homely, and not public - he did not claim the role of a literary star, and even more so the literary boss, before which the doors of the central publishers would open.
One and a half dozen thin books for children published during his lifetime; The final, as it turned out, the book “Friends took the hands” and another big book “Herning Language, Make Men with me”, which he added in a hospital bed, which was already posthumous, is, in fact, all his literary heritage. He developed his poetic plot slowly, and when his thin books, lovingly and talentedly designed by Vadim Gusev, suddenly literally “held hands” and made up a cheerful and smart round dance under one cover - then everyone saw and realized what kind of work was behind this publication and what kind of skill the author made up for years they are rarely reprinted, but each professionals, especially educators, especially educators, especially educators, especially educators.
It is clear to teachers of language and literature, familiar with his work: Shibaev’s poetry is a significant artistic phenomenon associated with direct pedagogical practice, since classes with children are impossible without playing language and language. In the second half of the X, in the years, when our poetry for small ones was often limited to description of children's and family life, Shibaev turned to the basics of culture - to the language as such, its laws, its wealth.
He a has a school grammar and for each lesson found an accurate, cognitive, entertaining move, opening in verses and magic of speech, and at the same time the teaching methodology. Riddles, tongue twisters, shifts, small plot stories about sounds, letters, words and punctuation marks - Shibaev went further in this game: perhaps for the first time in the field of view of the children's poet, such an extensive area of a practical language came.
A typical Shibaeva find: the word is contaminated, is overgrown with additional meaning, the sound becomes a bearer enriched, or even a new, unexpected information. This is what many lessons of Shibaev’s language are built, his educational and cognitive studies, his poetic alphabet, grammar - the game in the language that the illustrator of Shibaev’s books artist Vadim Gusev wrote about: “I was very interested in playing the language, in such a big, very complex game in which you need to think so much!
This game is played by signs: punctuation marks, letters, words that add letters - all these are signs. Their purpose is to denote the meaning. This is the most interesting - to designate. For this, you have to think. Thinking is always interesting, and when you come up with, you think, think of it - fun! They play in every game according to the rules.
The rules need to know. Who does not even know simple rules - laugh at that. Funny, funny.
We have fun - we know how right! Shibaev’s poems laugh with us. ” Today, without poems by Alexander Alexandrovich Shibaev, neither poetic pedagogy nor the tradition of Russian children's verse of the twentieth century is inconceivable. About Alexander Alexandrovich Shibaev, we can say that he heard the word -object “bare ears”, and this heighten hearing is transmitted to the attentive listener and reader of his cheerful and cognitive verses.